The Future of Australian Stories on Screen

Submissions to the Content Options Paper are now Closed. But stay tuned for our Lobby Kit so you can let your Local MP know we want our voice heard and our stories

What is the issue?

The Federal government is moving to change the rules that shape Australia’s screen industry. Australian content obligations for broadcasters and tax incentives for producers are a key focus.


The government is taking feedback on a policy options paper to inform its decision.

The paper can be viewed here.

It’s crucial that screen composers have their united voice heard in the process. The policy settings decided will have a big impact on the number and type of screen jobs available in Australia in the future.

What model for change does the AGSC recommend?

Adoption of Model 3 - Significant Change

This allows for a more even playing field amongst the Free-to-Air Networks and Streaming Services. This model supports regulation that would make subscription services pay a percentage of their income to make locally produced content, or, pooled into as Australian Production Fund (APF) that will be distributed to make local productions of drama in feature film and TV, children’s television and documentary

The modelling should support decision-making that ensures a level that moves past the status quo and allow for substantial growth in the amount of Australian content available to audiences. New modelling must not result in a drop in production.


What are the options?

ACMA and Screen Australia have put forward four different approaches for the government to consider.

1. Status Quo. Current regulation and incentives are maintained.


This option misses the opportunity to get Australian stories onto platforms like Netflix and Stan and to update our incentives to make them more competitive.

2. Minimal change. Some changes introduced to encourage a more equal playing field.


Under this model, streaming platforms could be asked to set a level of voluntary content investment, while quota obligations for broadcasters would be applied more flexibly with the requirement to invest in Australian children’s TV removed.

Voluntary investment is likely to deliver less Australian content than we would want.

3. Significant change. Incentives and obligations are applied equally across platforms.


This model would require all commercial content providers — including streaming services — to invest in new Australian content, and ABC and SBS would receive funding for children’s programming.

This option is most likely to capture all new platforms and sustain the Australian industry and jobs long term.


4. Deregulation. Government withdraws support and regulation from industry.


All regulation would be removed and incentives would be removed or revised. All content providers would have the ability to make programming decisions without government intervention.

This would likely see a major collapse in the production of Australian content, and devastate Australian screen jobs.

Further Recommendations for Screen Composers to consider

  1. Streaming Services Contribution to Local Content
    Streaming Service providers should contribute 10% of their subscription services revenue derived in Australia to make, promote and broadcast Australian made content.

  2. Big Tech contribution to the Australian Production Fund
    Giant technology companies such as Google/Youtube and Facebook should contribute 1% of their advertising revenue generated in Australia to be pooled into the same Australian Production Fund (APF). This system could be based on the proposed code that the ACCC is preparing in order to compensate media companies for news services

  3. Reinstatement of Quotas for Free to Air TV with regulation and allocated funding for National Broadcasters
    Until such time that new regulations are implemented, the AGSC calls for the immediate revocation of any current suspension on quota obligations for Free to Air broadcasters. It is imperative that broadcasters continue to be required to produce and broadcast Australian drama, documentary, childrens and First Nations content.

  4. Harmonisation of Producer Offsets
    The Producer Offset for Australian drama, documentary and childrens' programs should be harmonisded with the Location and PDV Offsets at 30%, with an additional 10% applicable if Australian Key Creatives including Screen Composers are used. Offsets should apply to all platforms and across one-off and series content. The offset should be applied for productions that use key Australian Creatives and Heads of Department including Australian composers, bringing the total Producer Offset  to 40%, in line with New Zealand.

  5. The Post Production Spend Threshold
    The Post Production Offset (PDV) threshold (that is currently $500,000) be reduced or removed. This would allow overseas productions to more readily employ Australian composers and post production services without only being applicable to large budget films.
    Furthermore, the Post Production Offset (PDV) should have a weighted or points based system to further define post into the categories of visual effects, editing, sound and music. This would attract international as well as local productions to use Australian based talent across the Post Production sector rather than simply utilizing large Digital and Visual Post Production Houses.

  6. Reinvestment Deals
    Reduce or abolish the current trend towards unsustainable reinvestment practices, where composers are being asked to reinvest up to 70% of their fee back into the film, with little to no likelihood of seeing a return on their investment. This practice has enabled production companies to attract a government rebate, whilst predominantly resulting in composers not receiving their full fee but being taxed on the full amount up front.

  7. Incentives for Film Exhibitors
    Film exhibitors and cinemas be allocated a form of rebate or offset to screen Australian made films in order to help attract Australian audiences to the box office.


Make a Submission

Submissions close at 5pm Friday 3 July 2020


Step 1. Download our 1 page submission template HERE to use as a guide.

Step 2. Craft your own submission response, including who you are, what you do and your experience.  There is no set format for a written submission. However here are some guidelines that may help. You can use the template and the points below in your response.

Step 3. Tell your story - what would these changes mean for you?

•  If fewer Australian stories are made, what would that mean for you, your family and the broader community? Talk from the heart.

•  If policy brings more investment in Australian production, what opportunities do you see? Paint a positive picture!

•  If digital platforms like Netflix and Stan were required to produce Australian content, what would that look like for you?

•  What happens when tax incentives are internationally competitive vs when they are not? Talk about your experience.

•  Why are the roles of public broadcasters important? Talk about an example from your career that shows that.

•  Why is it so important to have kids’ programs made here? What's unique about our kids’ stories — is there one you’ve worked on that has meant a lot to kids?

Step 4. Remember to include your name, contact email, organisation if it applies, phone number, and postcode ( in case they need to contact you).

Step 5. Email your submission to the Department of Communications by

5pm on Friday 3 July 2020 (new deadline)


Step 6. Send us a copy or let us know you've submitted a response.


All submissions to be made public need to meet the Digital Service Standard for accessibility. Any submission that does not meet this standard may be modified before being made public.

If your submission is to be made public, please ensure you do not include any personal information that you don't want to be published.

If your submission is confidential, please ensure each page of the submission is marked as confidential

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